Poemas:
Tanto por decir
Tanto por decir
y el tambor sigue
golpeando en mi cabeza
Tanto por decir
y el tambor sigue
golpeando en mi cabeza
Tanto por decir
y el tambor
golpea mi cabeza
Tanto por decir
y el tambor golpea
Tanto por decir
y el tambor
Tanto por decir
Tanto
Tanto
Y el tambor
el tambor
el tambor
If Only Out Of Vanity
If only out of vanity
I have wondered what kind of woman I will be
when I am well past the summer of my raging youth
Will I still be raising revolutionary flags
and making impassioned speeches
that stir up anger in the hearts of pseudo-liberals
dressed in navy-blue conservative wear
In those years when I am grateful
I still have a good sturdy bladder
that does not leak undigested prune juice
onto diapers—no longer adorable
will I be more grateful for that
than for any forward movement in any current political cause
and will it have been worth it then
Will it have been worth the long hours
of not sleeping
that produced little more than reams
of badly written verses that catapulted me into literary spasms
but did not even whet the appetite
of the three O’ clock crowd
in the least respected of the New York poetry cafes
Will I wish then that I had taken that job working at the bank
or the one to watch that old lady drool
all over her soft boiled eggs
as she tells me how she was a raving beauty in the sixties
how she could have had any man she wanted
but she chose the one least likely to succeed
and that’s why when the son of a bitch died
she had to move into this place
because it was government subsidized
Will I tell my young attendant
how slender I was then
and paint for her pictures
of the young me more beautiful than I ever was
if only to make her forget the shriveled paper skin
the stained but even dental plates
and the faint smell of urine that tends to linger
in places built especially for revolutionaries
whose causes have been won
or forgotten
Will I still be lesbian then
or will the church or family finally convince me
to marry some man with a smaller dick
than the one my woman uses to afford me
violent and multiple orgasms
Will the staff smile at me
humor my eccentricities to my face
but laugh at me in their private resting rooms
saying she must have been something in her day
Most days I don’t know what I will be like then
but everyday—I know what I want to be now
I want to be that voice that makes Guilani
so scared he hires two (butch) black bodyguards
I want to write the poem
that The New York Times cannot print
because it might start some kind of black or lesbian
or even a white revolution
I want to go to secret meetings and under the guise
of female friendship I want to bed the women
of those young and eager revolutionaries
with too much zeal for their cause
and too little passion for the women
who follow them from city to city
all the while waiting in separate rooms
I want to be forty years old
and weigh three hundred pounds
and ride a motorcycle in the wintertime
with four hell raising children
and a one hundred ten pound female lover
who writes poetry about my life
and my children and loves me
like no one has ever loved me before
I want to be the girl your parents will use
as a bad example of a lady
I want to be the dyke who likes to fuck men
I want to be the politician who never lies
I want to be the girl who never cries
I want to go down in history
in a chapter marked miscellaneous
because the writers could find
no other way to categorize me
In this world where classification is key
I want to erase the straight lines
So I can be me
Faggot Haiku
Faggots reach into
their own asses we are not
afraid of our shit
Biografía:
Staceyann Chin (25 de diciembre de 1972) es una poetisa, artista de performance y activista avocada a los derechos LGBT. Su trabajo ha sido publicado en el New York Times, Washington Post y Pittsburgh Daily. Su trabajo también ha sido exhibido en el programa de televisión 60 Minutes de la CBS. Fue una artista invitada en The Oprah Winfrey Show, programa televisivo en el cual compartió sus experiencias al crecer como una mujer homosexual en Jamaica.